How does our lecture on las pinturas de castas

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Reference no: EM134031965

Assignment:

During the colonial period in Latin America (Latinoamérica) 1492-1810, there was a racial ideology being institutionalized in "Las pinturas de castas" The Caste Paintings or Genre Paintings. These paintings determine how close or how far of being (Iberico) European Christian the person is. The more Spaniard a person has in their blood the "better person" he/she is, and consequently could escalate higher socially speaking. This racial conception was imposed in all Latin America, The Philippines, Africa and all the territories colonized by Spain and Portugal during this period. Furthermore, this racist ideology during the colonial period helped make invisible the diversity of cultures in the Americas especially the Afrolatinos. Nowadays, in México for example, during the recent Census (2021) 95.5% of the population recorded no ties with black ancestry.

How does our lecture on " Las pinturas de castas", our documentary "Black Grandma in The Closet" and our reading "Sab" reveal current racial issues regarding "Afrolatinos"?

Reference no: EM134031965

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