Explain how the director connects this misunderstanding

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Question: In "Critical Dialogues," N. Frank Ukadike quotes Bill Nichol's assertion that while fiction engages "with the construction of a story, set in an imaginary world, documentary invites our engagement with the construction of an argument, directed toward the historical world" (299). What is the argument (or what are the arguments) that director Jean-Marie Teno is advancing in Colonial Misunderstanding? In other words, what is the particular and specific "misunderstanding" which warrants the title of Jean Marie Teno's documentary, and what is the significance of this misunderstanding as detailed in the film? Briefly explain how the director connects this misunderstanding to the multiple forms of aggression in the film, which include physical assault and the desecration of emblems of group identity.

Reference no: EM133281428

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