Connection between disinterested liking for beautiful

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Question

1. Briefly explain how a disinterested liking for a beautiful artwork differs from an interested liking for a sensory delight e.g. chocolate.

2. What is the connection between the disinterested liking for the beautiful and Kant's view that in making a judgment of beauty one speaks with a "universal voice"?

3. Is speaking with a "universal voice" a prediction of universal agreement? Why or why not?

4. How can there be standards of beauty without rules of beauty according to Kant?

Reference no: EM134003382

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